{"id":2676,"date":"2019-09-17T18:18:52","date_gmt":"2019-09-17T18:18:52","guid":{"rendered":"http:\/\/lugas.lv\/?p=2676"},"modified":"2019-09-17T19:20:44","modified_gmt":"2019-09-17T19:20:44","slug":"kodieni-un-skupsti","status":"publish","type":"post","link":"https:\/\/lugas.lv\/?p=2676","title":{"rendered":"\u201eKODIENI UN SK\u016aPSTI\u201d"},"content":{"rendered":"\n<p style=\"text-align:center\"><strong>Apskats Arv\u012bda De\u0123a darbam  \u201eKODIENI UN SK\u016aPSTI\u201d <\/strong><\/p>\n\n\n\n<p style=\"text-align:center\"><strong>(meln\u0101 humora detekt\u012bvkom\u0113dija)<\/strong><\/p>\n\n\n\n<p>Uzreiz j\u0101atz\u012bstas, ka mans p\u0113t\u012bjums \u0161\u012b darba\nietvaros neb\u016bs piln\u012bgs, tas aptvers tikai galven\u0101s idejas un t\u0113lu saturus, bet\nne tuvu ne visus, teik\u0161u, k\u0101 ir: ja grib\u0113tu veikt ko t\u0101du, k\u0101 l\u012bdz deta\u013c\u0101m\nprec\u012bzu anal\u012bzi, b\u016btu j\u0101izple\u0161as v\u0113l vismaz se\u0161as reizes apjom\u012bg\u0101ka apskata\nm\u0113rogos.<\/p>\n\n\n\n<p><strong>1.<\/strong><\/p>\n\n\n\n<p>\u0160aj\u0101 tekst\u0101 j\u016btama sirre\u0101l\u0101s dom\u0101\u0161anas ietekme, un tas noz\u012bm\u0113, ka varu \u0161o tekstu, kas vienlaikus ir ar\u012b dramatur\u0123iskais materi\u0101ls p\u0113t\u012bt no \u201esap\u0146a interpret\u0101cijas\u201d viedok\u013ca. <\/p>\n\n\n\n<p>Vienlaikus ar\u012b\np\u0101rdom\u0101sim, kas konkr\u0113taj\u0101 darb\u0101 ir izdevies un kur nav \u012bsti veicies. <\/p>\n\n\n\n<p>Vispirms b\u016btu j\u0101paskaidro, ko man\u0101 izpratn\u0113 noz\u012bm\u0113 sirre\u0101lisms, k\u0101 metode, k\u0101 modernisma paradigma. Protams, ir ar\u012b da\u017e\u0101di rota\u013c\u012bgi sirre\u0101lisma paveidi, kas vair\u0101k attiecas uz sp\u0113li, bet tos es \u0161oreiz nob\u012bd\u012b\u0161u s\u0101nis. Run\u0101sim par anal\u012btisku psihes dz\u012b\u013cu p\u0113t\u012bjumu, ko var\u0113tu veikt izp\u0113tot t\u0113lus, notikumus un proces\u0113jumu \u0161\u0101d\u0101 tekst\u0101, ja tas b\u016btu l\u012bdz\u012bgs tam psihes veidojumam, k\u0101ds ir sapnis. <\/p>\n\n\n\n<p>Un visp\u0101r \u2013 kas ar\nmums notiek, kad \u201eskat\u0101mies\u201d sapni.<\/p>\n\n\n\n<p>M\u0113\u0123in\u0101sim m\u016bsu\nvajadz\u012bb\u0101m drusku vienk\u0101r\u0161ot sap\u0146a p\u0113t\u012bjuma metodi, tom\u0113r neatce\u013cot galven\u0101s\nsap\u0146a interpret\u0101cijas darb\u012bbu \u201etehnolo\u0123ijas\u201d un metodes. Pa\u0161laik ir svar\u012bgi\nsaprast, kas notiek \u0161\u0101d\u0101 \u201enesaprotam\u0101 tekst\u0101\u201d vai \u201emurgain\u0101 noris\u0113 uz\nskatuves\u201d.<\/p>\n\n\n\n<p>Dabisk\u0101 mieg\u0101 tas b\u016btu veids, k\u0101 psihes apspiest\u0101 ener\u0123ija pace\u013cas apzi\u0146\u0101, lai k\u0101da dz\u012b\u013cu konflikta (teiksim \u201ekompleksa\u201d) iesp\u0113jami traum\u0113jo\u0161\u0101s darb\u012bbas negat\u012bvais l\u0101di\u0146\u0161 g\u016btu iesp\u0113jas nopl\u016bst un t\u0101d\u0113j\u0101di glu\u017ei dabisk\u0101 ce\u013c\u0101 pati saviem dabas l\u012bdzek\u013ciem psihe sevi atvese\u013cotu, ja protams, trauma nav p\u0101rlieku liela. \u0160eit, k\u0101 ierasts, j\u0101piemin visp\u0101r biolo\u0123iskas dabas b\u016bt\u0146u dabiskas sp\u0113jas pa\u0161\u0101rst\u0113ties \u2013 k\u0101 sadz\u012bst vieglas somatiskas traumas uz \u0101das, t\u0101 ar\u012b, m\u016bsu apskat\u012btaj\u0101 gad\u012bjum\u0101, psihes vainas sevi dzied\u0113.<\/p>\n\n\n\n<p>T\u0101p\u0113c da\u017ei saturi ir\ntiku\u0161i apspiesti bezapzi\u0146\u0101, ka tie iek\u013cauj traum\u0113jo\u0161u inform\u0101ciju. Un tur\ndz\u012bl\u0113s \u0161\u012b \u201enepie\u0146emam\u0101 s\u0101pe\u201d nenogrimst aizmirst\u012bb\u0101, bet turpina darboties\nbezapzin\u0101ti\u2026 <\/p>\n\n\n\n<p>T\u0101 ir probl\u0113ma,\nprotams\u2026 velk uz neirozi, piem\u0113ram!<\/p>\n\n\n\n<p>Ta\u010du mums ir anal\u012bzes\nmetodes, t\u0101 b\u016btu lab\u0101 v\u0113sts.<\/p>\n\n\n\n<p>P\u0113c Freida \u2013 sapnis ir t\u0101ds dabisks psihes vese\u013co\u0161an\u0101s \u201einstruments\u201d, kura daba ir apspiestas v\u0113lmes piepild\u012b\u0161an\u0101s caur sap\u0146u t\u0113liem, notikumiem un proces\u0113jumu, turkl\u0101t v\u0113l j\u0101saprot, ka sapnis nesp\u0113j artikul\u0113t \u201en\u0113\u201d, t\u0101p\u0113c sap\u0146a neg\u0101cija t\u0101pat tiek p\u0101rraid\u012bta caur sap\u0146a proces\u0113jumu, tikai p\u0101rv\u0113r\u0161ot v\u0113lmes vektoru valodas simbolos, ir j\u0101notver, kura versija, kur\u0101 sap\u0146ojuma gad\u012bjum\u0101 der un ar\u012b kur\u0101 virzien\u0101.<\/p>\n\n\n\n<p>L\u016bk, \u0161eit \u2013 viss par n\u0101v\u0113m un jautr\u012bba ap da\u017e\u0101d\u0101m t\u0101s izpausm\u0113m, bez k\u0101d\u0101m bail\u0113m un \u0161ausm\u0101m \u2013 tie\u0161i otr\u0101di \u2013 t\u0101 it k\u0101 neb\u016btu par ko uztraukties. Un tie\u0161i tas jau ir \u0161\u012b sap\u0146a v\u0113lmes vektors \u2013 piepild\u012bt ideju, ka vismaz \u0161o sap\u0146ojuma br\u012bdi psihei nemaz vairs nav j\u0101baid\u0101s no n\u0101ves. Ja n\u0101ves bailes k\u0101da notikuma, k\u0101du atmi\u0146u, vai v\u0113l cit\u0101di ieg\u016btas pieredzes gad\u012bjum\u0101 ir jau piemin\u0113t\u0101 traum\u0113jo\u0161\u0101 inform\u0101cija un kaut k\u0101du iemeslu d\u0113\u013c bezapzin\u0101tie saturi atkal un atkal atgrie\u017eas pie n\u0101ves tematikas, tad ir nepiecie\u0161ams risin\u0101jums.<\/p>\n\n\n\n<p>Ta\u010du psihes dz\u012bl\u0113s,\nk\u0101 zin\u0101ms, m\u0113dz glab\u0101ties daudzas apspiestas idejas un tagad sirre\u0101laj\u0101\nv\u0113st\u012bjum\u0101 \u0161ie sl\u0113ptie saturi atbr\u012bvojas, ja glu\u017ei apzin\u0101ti un negaidot naktis,\nk\u0101da \u201esap\u0146ojuma viet\u0101\u201d tiktu iesl\u0113gts m\u0101kslinieciskais t\u0113lojums, kas t\u0101d\u0113j\u0101di\nb\u016btu p\u0101rv\u0113rsts par \u201esap\u0146o\u0161anu nomod\u0101\u201d (nesajaukt ar fant\u0101zij\u0101m, kuras ar\u012b\nreiz\u0113m m\u0113dz d\u0113v\u0113t par \u201esap\u0146o\u0161anu\u201d, k\u0101 Brigaderei, piem\u0113ram, \u201eMaldu Mildas\nsap\u0146ojums\u201d, kam ar sirre\u0101lo metodi nav nek\u0101da sakara).<\/p>\n\n\n\n<p>\u013baujot psihei pa\u0161ai\npar sevi produc\u0113t t\u0113lus, p\u0113c zin\u0101ma treni\u0146a m\u0101kslinieki ar\u012b nomod\u0101 sp\u0113j veikt\nt\u0101 saucamo \u201esap\u0146a darbu\u201d. P\u0113c Freida, skat izdevumu \u201eSap\u0146a interpret\u0101cija\u201d\nZvaigzne ABC, 2015.g.: \u201ej\u0101atz\u012bst\u2026 ka sap\u0146ots ir daudz vair\u0101k, nek\u0101 var\nreproduc\u0113t\u201d \u2013 to psihoanal\u012bti\u0137is saka par miega sap\u0146iem, tos \u0101tri aizmirstam no\nr\u012bta. Bet k\u0101 ir ar sapni, kas tiek pierakst\u012bts \u201et\u0101 ra\u0161an\u0101s br\u012bd\u012b\u201d, k\u0101 piem\u0113ram\nliter\u0101rs teksts? T\u0101dos gad\u012bjumos tas, bie\u017e\u0101k tiek trauc\u0113ts ar nomoda notikumu\nparal\u0113lu percepciju, jo \u2013 s\u0113\u017eot sav\u0101 darba viet\u0101, lai k\u0101ds miers un klusums\nvald\u012btu ap mums (kas parasti t\u0101 nemaz nav), tom\u0113r \u2013 jutek\u013ci tom\u0113r str\u0101d\u0101 \u0101rpus\nkoncentr\u0113\u0161an\u0101s uz tekstu. Lab\u0101 zi\u0146a, ka jutek\u013ci str\u0101d\u0101 vienm\u0113r \u2013 ar\u012b mieg\u0101.\nT\u0101p\u0113c da\u013ca sap\u0146a vienm\u0113r ir ar\u012b juteklisk\u0101s uztveres manifest\u0101cija.<\/p>\n\n\n\n<p>Un tom\u0113r \u2013 past\u0101v uzskats, ka nomod\u0101 pierakst\u012bts t\u0113lu bezapzi\u0146as pacelts t\u0113lu virkn\u0113jums ir produkt\u012bv\u0101ks par nakts sap\u0146o\u0161anu, kuras tr\u016bkums ir \u2013 aizmir\u0161ana, sap\u0146a atmi\u0146ai strauji dziestot, kad mostamies.<\/p>\n\n\n\n<p>Un tagad, p\u0113c \u0161\u012b ievada, s\u0101ksim konkr\u0113t\u0101 darba anal\u012bzi.<\/p>\n\n\n\n<p>Taj\u0101 darbojas vesela\nvirkne visda\u017e\u0101d\u0101ko person\u0101\u017eu \u2013 lai iestud\u0113tu t\u0101du lugu te\u0101trim vajadz\u0113tu\nkrietnu aktieru \u0161tatu, mazi te\u0101tr\u012b\u0161i tam nez vai tiktu kl\u0101t, ja vien \u2013 k\u0101 t\u0101dos\ngad\u012bjumos m\u0113dz dar\u012bt \u2013 katrs nesp\u0113l\u0113tu vair\u0101kas lomas\u2026 Nezinu, varb\u016bt iesp\u0113jams\nizveidot t\u0101du \u201egrafiku\u201d lai katrs aktieris laik\u0101 pag\u016btu p\u0101r\u0123\u0113rbties un\nnogrim\u0113ties uz citu lomu \u0161\u0101d\u0101 izr\u0101d\u0113. Vai varb\u016bt vienk\u0101r\u0161i main\u012bt maskas?\nNezinu, t\u0101 b\u016btu atsevi\u0161\u0137a dom\u0101\u0161ana, ar kuru tad nodarbosies re\u017eisori.<\/p>\n\n\n\n<p>Par ko ir luga \u2013 izvirz\u012b\u0161u versiju, ko v\u0113l j\u0101p\u0101rbauda \u2013 t\u0101 ir par to, k\u0101 m\u0113s p\u0101rvald\u0101m savu iek\u0161\u0113j\u0101s pasaules (imanences) \u201eteritoriju\u201d. Ko m\u0113s taj\u0101 ievie\u0161am? K\u0101du k\u0101rt\u012bbu? Piem\u0113ram: vai m\u0113s sev\u012b esam diktatori, kuros, teiksim, t\u0101da sp\u0113ja k\u0101 pr\u0101ts (visbie\u017e\u0101k m\u016bsdien\u0101s) valda man\u0101 apzi\u0146\u0101 teju k\u0101 \u201etir\u0101ns\u201d, vai varb\u016bt p\u0101rvald\u0113 cita apzi\u0146\u0101 b\u016btu ar\u012b \u013cauts piedal\u012bties p\u0101r\u0113j\u0101m psihes sp\u0113j\u0101m \u2013 izt\u0113lei, intu\u012bcijai, j\u016bt\u0101m galu gal\u0101?<\/p>\n\n\n\n<p>No \u0161\u012b viedok\u013ca pirmaj\u0101 acu uzmetien\u0101 \u0161\u0137iet, ka visi sirre\u0101listi ir tipiski savas iek\u0161\u0113j\u0101s pasaules \u201edemokr\u0101ti\u201d. Vai t\u0101 ir \u2013 dosimies p\u0113t\u012bjum\u0101, \u0161oreiz caur lugu, kuras virsrakst\u0101 jau t\u0113laini iekod\u0113ts svar\u012bg\u0101ko g\u0113nu programmu pieteikums: \u201eKodieni un sk\u016bpsti\u201d (ko\u017e vamp\u012bri \u2013 t\u0101 man\u0101 uztver\u0113 ir izdz\u012bvo\u0161anas g\u0113nu programmas simbolika \u2013 izvair\u012b\u0161an\u0101s no n\u0101ves domas, kas pielien neman\u0101ma un bied\u0113, bet sk\u016bpsts \u2013 tas, protams, p\u0101rst\u0101v vairo\u0161an\u0101s un sugas izple\u0161an\u0101s programmu jeb romantisk\u0101 tulkojum\u0101 \u2013 m\u012blest\u012bbu).<\/p>\n\n\n\n<p>Jaut\u0101jums teju rainisks:\n\u201evai m\u012bla ir stipr\u0101ka par n\u0101vi\u201d? No psihoanal\u012bzes viedok\u013ca jaut\u0101jums b\u016btu\ntulkojams t\u0101: kura evol\u016bcijas ce\u013c\u0101 g\u016bt\u0101 DNS g\u0113nu programma ir galven\u0101 \u2013\nvairo\u0161an\u0101s vai izdz\u012bvo\u0161anas?<\/p>\n\n\n\n<p>Un visp\u0101r, jau Rainim ir sava da\u013ca paties\u012bbas ar\u012b \u0101rpus romantisk\u0101 lauci\u0146a \u2013 viskritisk\u0101kaj\u0101s situ\u0101cijas tiklab putni k\u0101 dz\u012bvnieki, t\u0101 ar\u012b cilv\u0113ks metas gl\u0101bt savus m\u012b\u013cos, savus b\u0113rnus, piem\u0113ram, daudz ner\u016bp\u0113joties par personisko dro\u0161\u012bbu, respekt\u012bvi \u2013 j\u0101, no t\u0101 var secin\u0101t: \u201em\u012bla ir stipr\u0101ka\u201d p\u0101rbaudot p\u0113c \u0161\u012bs metodes. <\/p>\n\n\n\n<p>Tom\u0113r vai visiem\ncilv\u0113kiem, vai visos gad\u012bjumos?<\/p>\n\n\n\n<p>Pie\u013cauju, varb\u016bt\u012bbu,\nka atsevi\u0161\u0137iem indiv\u012bdiem psihe m\u0113dz ziben\u012bgi izsv\u0113rt, izv\u0113rt\u0113t \u2013 k\u0101 r\u012bkoties,\np\u0113c kuras programmas pras\u012bb\u0101m r\u012bkoties vispirms un k\u0101 \u2013 nogaidot,\naktiviz\u0113joties, izvairoties utt.<\/p>\n\n\n\n<p>\u0160\u0101d\u0101s p\u0101rdom\u0101s un\nnoska\u0146\u0101s m\u0113s jau tuvojamies apl\u016bkojam\u0101 dramatur\u0123isk\u0101 darba b\u016btiskaj\u0101m j\u0113g\u0101m. Un\nar\u012b tam, kas \u0161\u0137iet nav izdevies, visdr\u012bz\u0101k \u012bsti nenopreciz\u0113tu m\u0113r\u0137u d\u0113\u013c\u2026<\/p>\n\n\n\n<p><strong>2.<\/strong><\/p>\n\n\n\n<p>Ja tas ir sapnis un es pie\u0146emu, ka t\u0101, t\u0101tad vispirms, t\u0101 interpret\u0101cij\u0101, es jaut\u0101ju sev k\u0101p\u0113c tik pla\u0161s darbojo\u0161os personu lauks?<\/p>\n\n\n\n<p>Pie\u0146emu, ka t\u0101d\u0101\nveid\u0101 tiek simboliz\u0113ta \u201epla\u0161\u0101 pasaule\u201d, kuras soci\u0101laj\u0101s noris\u0113s nav mazums\nmiro\u0146u, gan savu soci\u0101lo lomu p\u0101rsp\u012bl\u0113ti cent\u012bg\u0101s pild\u012b\u0161anas d\u0113\u013c, kas pamat\u0101 \u0161\u012b\nteksta j\u0113g\u0101s noz\u012bm\u0113 tikai \u201edarb\u012bbas imit\u0101ciju\u201d pretstat\u0101 rado\u0161ai darb\u012bbai, gan\nar\u012b \u201eskeleti skap\u012b\u201d, kas parasti noz\u012bm\u0113: \u201ekatram ir kaut kas sl\u0113pjams\u201d.<\/p>\n\n\n\n<p>Nek\u0101 sl\u0113pjama nav miru\u0161ajiem \u2013 Meiten\u012btei Spokam, kas, manupr\u0101t, ja tam \u013cautu vair\u0101k va\u013cas izpausties, ja par\u0101d\u012btos tam atbilsto\u0161a darb\u012bbas l\u012bnija un tas tiktu organiz\u0113ts t\u0101, lai veidotu proces\u0113jumu sav\u0101 att\u012bst\u012bb\u0101, tad to var\u0113tu uzskat\u012bt par B\u0113rna arhetipu (p\u0113c Junga \u2013 tas ietver sev\u012b akt\u012bv\u0101s rado\u0161\u0101s ener\u0123ijas un jauna atkl\u0101jumu m\u0113r\u0137tiec\u012bbu). Ja \u0161is t\u0113ls b\u016btu vair\u0101k iesaist\u012bts darb\u012bb\u0101, tas var\u0113tu sav\u0101 zi\u0146\u0101 k\u013c\u016bt par \u0161\u012bs lugas protagonistu \u2013 atkl\u0101j\u0113ju pretstat\u0101 sufok\u0101tiskajai soci\u0101lajai videi, kur\u0101 tam j\u0101dz\u012bvo. (Paskaidrojums: lat\u012bniski <strong><em>suffocatio<\/em><\/strong> \u2013 aizdusa, aizr\u012b\u0161an\u0101s, smak\u0161ana, p\u0101rsp\u012bl\u0113jumi sabiedriskaj\u0101 telp\u0101, populistiski murgi, rekl\u0101mistiska pr\u0101ta perversija, rado\u0161\u0101 gara sl\u0101p\u0113\u0161ana, pan\u0101kumu izsi\u0161ana par \u201ekatru cenu\u201d, piem\u0113ram, k\u0101 sport\u0101, kur t\u0101 vajag vinn\u0113t, ka s\u0101k\u0101s p\u0101rk\u0101pumi: notriec no k\u0101j\u0101m citu sp\u0113l\u0113t\u0101ju, ielien \u201eaizmugur\u0113\u201d utml.)<\/p>\n\n\n\n<p>Visi p\u0101r\u0113jie ir sufok\u0101tisk\u0101s personas, varb\u016bt neskaitot uz nenoteikt\u012bbas robe\u017eas \u0161\u016bpoto indie\u0161a Rabindranata Kri\u0161namurti t\u0113lu, kura kari\u0137\u0113t\u0101 tic\u012bba reinkarn\u0101cijai pier\u0101d\u0101s \u0161aj\u0101 lug\u0101 k\u0101 apliecin\u0101jums t\u0101das transcendent\u0101las norises patiesumam.<\/p>\n\n\n\n<p>Vi\u0146\u0161 simboliski\nvar\u0113tu b\u016bt \u0161ai izr\u0101dei labv\u0113l\u012bgais skat\u012bt\u0101js, las\u012bt\u0101js, sav\u0101 zi\u0146\u0101 es pats sav\u0101\nattieksm\u0113 pret konkr\u0113to darbu t\u0101d\u0101 gad\u012bjum\u0101 topu ieskait\u012bts \u0161aj\u0101 sap\u0146ojuma\nsirre\u0101lo uzst\u0101d\u012bjumu lok\u0101.<\/p>\n\n\n\n<p>T\u0101tad sapnis veras,\ns\u0101kas spoko\u0161an\u0101s, \u0161aj\u0101 t\u0113lojum\u0101: s\u0101kas rado\u0161s darbs, re\u0101l\u0101 pasaule grimst,\npace\u013cas fant\u0101ziju pasaule. Taj\u0101 zi\u0146\u0101 lugas ekspoz\u012bcija nepievi\u013c. Tom\u0113r \u2013 lai\nar\u012b v\u0113l\u0101k sap\u0146a darba \u0161aj\u0101 tekst\u0101 netr\u016bkst, tas neliekas proces\u0113ts l\u012bdz galam \u2013\nstraum\u0113jums uzbango, dodas jau uz nosac\u012bto \u201e\u016bdenskritumu\u201d, ener\u0123ijas\naktiviz\u0113\u0161anos, bet tad atkal aps\u012bkst p\u0101r\u0101k \u201epiekabinoties\u201d sava laika\naktualit\u0101\u0161u deta\u013c\u0101m, t\u012bri informat\u012bvas dabas veidojumiem, k\u0101, piem\u0113ram,\nseksu\u0101lo darb\u012bbu katalo\u0123iz\u0113tai sh\u0113mai, un t\u0101d\u0113j\u0101di viss pied\u0101v\u0101jums pats k\u013c\u016bst\np\u0101rbl\u012bv\u0113ts, respekt\u012bvi kaut k\u0101d\u0101 noz\u012bm\u0113 sufok\u0101tisks un tam vairs nav iesp\u0113jams\nizsekot, nesaprotot rado\u0161o pl\u0101nu, kura iesp\u0113jams \u0161eit nemaz nav bijis.<\/p>\n\n\n\n<p>Sirre\u0101l\u0101 kol\u0101\u017ea tom\u0113r nav glu\u017ei tas pats, kad dadaistisk\u0101, kura veidojas nejau\u0161\u012bbas rezult\u0101t\u0101. Sap\u0146a darb\u0101, ja ar\u012b anal\u012bti\u0137is nevar izsekot piln\u012bgi visiem t\u0101 kondens\u0101cijas, p\u0101rvirzes procesiem, afektiem un perceptiem, simboliz\u0113jumiem un regresijai, tom\u0113r zin\u0101ma interpret\u0101cija sav\u0101 pieredz\u0113 un t\u0101d\u0101 k\u0101 sap\u0146a pa\u0161indukcij\u0101 tom\u0113r ir iesp\u0113jama.<\/p>\n\n\n\n<p>\u0160is teksts ar\u012b ir\nuzb\u016bv\u0113ts p\u0113c kol\u0101\u017eas principa, katr\u0101 zi\u0146\u0101 si\u017eets taj\u0101 piln\u012bgi nosl\u012bkst un&nbsp; tam nav iesp\u0113jams izsekot. Protams, m\u0113dz b\u016bt\nar \u201enesi\u017eetiski\u201d sap\u0146i, tom\u0113r katras kol\u0101\u017eas ainas ietvaros ir j\u0101b\u016bt k\u0101dam ar\nkop\u0113jo j\u0113gu saist\u012btam savienojumam, cit\u0101di nav j\u0113gas to visu apkopot vien\u0101\ntekst\u0101, tad pr\u0101t\u012bg\u0101k b\u016btu sadal\u012bt pa atsevi\u0161\u0137iem st\u0101st\u012bjumiem, pa\nvienc\u0113lieniem, pa ske\u010diem, kas katrs par sevi tad veiktu savu darbu un neb\u016btu\nj\u0101mekl\u0113 kopsavilkumi, m\u0113r\u0137i un proces\u0113juma l\u012bnijas.<\/p>\n\n\n\n<p>Las\u012b\u0161anas gait\u0101 pie\u0146emu, ka da\u017e\u0101du popul\u0101ru person\u012bbu un notikumu piemin\u0113\u0161ana ir t\u0101ds t\u0101 kari\u0137\u0113ta \u201ev\u0113sturiska dokument\u0113juma\u201d t\u0113ls, kas gan \u0161\u012b teksta j\u0113g\u0101m neko ne pieliek, ne at\u0146em, un tas vair\u0101k apliecina fragment\u0101rismu m\u016bslaiku cilv\u0113ka dom\u0101\u0161an\u0101, vi\u0146a haotisko datu un inform\u0101cijas v\u0101k\u0161anas m\u0101niju (t\u0101d\u0101 gad\u012bjum\u0101 neb\u016btu slikti speci\u0101li uzkr\u012bto\u0161i ieviest \u201eviltus zi\u0146u dokumentus\u201d \u2013 teiksim, zi\u0146u par Vidzemes kara\u013ca vieso\u0161anos partijas \u201eGods Kalpot R\u012bgai\u201d r\u012bkotaj\u0101 kongres\u0101 par godu 50 gadiem kop\u0161 Atlant\u012bdas nosl\u012bk\u0161anas iepret\u012b Upsalai). Uz lugas person\u0101\u017eiem, k\u0101 miru\u0161o gariem, \u0161aj\u0101 gad\u012bjum\u0101 nevar\u0113tu attiecin\u0101t \u201eviltus person\u012bbu\u201d v\u0113rt\u0113jumu, jo \u0161ie person\u0101\u017ei dz\u012bvo teksta sirre\u0101laj\u0101 izr\u0101des pasaul\u0113 un to veido.<\/p>\n\n\n\n<p>Jo p\u0113c lugas ekspoz\u012bcijas: sk. tekst\u0101 3.skats, 1.aina: \u201evisa R\u012bga ir vieni kapi\u201d. Izejot no \u0161\u012bs perspekt\u012bvas un sasl\u0113dzot to ar tikko redz\u0113to ainu, kur resnais Mammis dejoja stript\u012bzu, piepe\u0161i esam non\u0101ku\u0161i nekrof\u012blijas lauk\u0101. Ko tas var\u0113tu noz\u012bm\u0113t no v\u0113lmes piepild\u012bjuma viedok\u013ca sap\u0146a darb\u0101?<\/p>\n\n\n\n<p>Vai tas var\u0113tu b\u016bt\nt\u0101ds k\u0101 noliegums spied\u012bgam libido kompleksam? Katr\u0101 zi\u0146\u0101 mani nekas netrauc\u0113tu\natt\u012bst\u012bt ar\u012b \u0161\u0101du interpret\u0101ciju un tad rodas interesanta absurda aina \u2013 jo\nvair\u0101k seksa k\u0101d\u0101 ain\u0101, jo liel\u0101ks t\u0101 tr\u016bkums aktu\u0101li, un jo vair\u0101k \u0161\u0101du v\u0113lmi\nizpau\u017e person\u0101\u017ei, jo miru\u0161\u0101ki tie top\u2026 <\/p>\n\n\n\n<p>Tas t\u0101 var\u0113tu b\u016bt\ntekst\u0101, tom\u0113r realit\u0101t\u0113 izklaus\u0101s p\u0113c p\u0101rsp\u012bl\u0113juma, jo paties\u012bb\u0101 nemaz neliekas\nka autors b\u016btu t\u0101 noska\u0146ots radik\u0101li pret t\u0101m vai cit\u0101m attiec\u012bb\u0101m, pret seksu\nvisp\u0101r, varb\u016bt tikai bezapzin\u012bgi cen\u0161as atbr\u012bvoties no uzm\u0101c\u012bg\u0101 libido dikt\u0101ta.<\/p>\n\n\n\n<p>Un t\u0101d\u0101 gad\u012bjum\u0101 var\nsaprast intens\u012bvo \u0161\u0101 t\u0113lojuma da\u013cu, kas attiecas uz sada\u013cu: \u201esk\u016bpsti\u201d.<\/p>\n\n\n\n<p>Tom\u0113r \u0161aj\u0101 gad\u012bjum\u0101\nir ar\u012b skaidrs, ka j\u0113gas negrie\u017eas tikai un vien\u012bgi ap evol\u016bcijas ce\u013c\u0101 apg\u016bto\ng\u0113nu programmu saturiem k\u0101 t\u0101diem, lai apliecin\u0101tu to darb\u012bbu. Interpet\u0113jo\u0161\u0101\npl\u016bstam\u012bba, perceptos un afektos att\u012bstot \u0161o tekstu, mekl\u0113 ce\u013cus, k\u0101 no \u0161\u012bs\nprogrammu diktat\u016bras izk\u013c\u016bt apzi\u0146as br\u012bv\u012bb\u0101. Iesp\u0113jams, t\u0101d\u0113\u013c ar\u012b da\u017eda\u017e\u0101do\nseksu\u0101lo darb\u012bbu aprakstu kari\u0137\u0113jumi, p\u0101rsp\u012bl\u0113jumi un farsa elementi tajos\u2026<\/p>\n\n\n\n<p>Apzi\u0146as atbr\u012bvo\u0161an\u0101s\nno g\u0113nu programmu sufok\u0101tisk\u0101 vald\u012bjuma, iesp\u0113jams \u0161\u012b var\u0113t b\u016bt centr\u0101l\u0101 ideja\nvis\u0101 \u0161aj\u0101 pla\u0161aj\u0101 materi\u0101l\u0101.<\/p>\n\n\n\n<p><strong>3.<\/strong><\/p>\n\n\n\n<p>Indie\u0161u students,\nrum\u0101\u0146u vamp\u012brs u.c. \u2013 vai t\u0101 nav autora (apzin\u0101ta, neapzin\u0101ta \u2013nezinu)\npretenzija, varb\u016bt tikai nor\u0101de, uz vispasaul\u012bgu vai dr\u012bz\u0101k p\u0101rpasaul\u012bgu\nvisp\u0101rin\u0101jumu? Skat, tekst\u0101: <\/p>\n\n\n\n<p>Frankovics. \u201e\u2026atdz\u012bvin\u0101tos miro\u0146us padar\u012b\u0161u par policistiem un lik\u0161u\nsav\u0101 kabat\u0101 vi\u0146u nopeln\u012bto algu.\u201d<\/p>\n\n\n\n<p>Motiv\u0101cija skaidra, nozieguma pl\u0101ns ar\u012b \u2013 pie\u0146emsim,\nka \u0161eit s\u0101kas si\u017eets, kuram sekot, ja jau \u017eanra apz\u012bm\u0113jum\u0101 ticis piemin\u0113ts\ntermins \u201edetekt\u012bvkom\u0113dija\u201d.<\/p>\n\n\n\n<p>Nu, ko tagad pam\u0113\u0123in\u0101sim rekonstru\u0113t si\u017eetu, kas gan sam\u0113r\u0101 izpludin\u0101ts ar blakus l\u012bnij\u0101m un nejau\u0161\u0101m paral\u0113l\u0101m idej\u0101m. Tom\u0113r, ja autors v\u0113l\u0113sies, vi\u0146\u0161 vienm\u0113r var\u0113s veikt \u012bsin\u0101jumus, lai si\u017eeta l\u012bnija taptu skaidr\u0101ka un tai var\u0113tu viegl\u0101k izsekot izr\u0101des veidot\u0101ji un galu gal\u0101 ar\u012b skat\u012bt\u0101ji.<\/p>\n\n\n\n<p>P\u0113c ekspoz\u012bcijas \u201enoziedz\u012bg\u0101 pl\u0101na\u201d uzst\u0101d\u012b\u0161anas,\nt\u0101l\u0101k seko realiz\u0101cija \u2013 kapu atrak\u0161ana.<\/p>\n\n\n\n<p>Tad \u2013 ledus kr\u0101jumu ieg\u0101de, \u201eiesald\u0113\u0161anai\u201d (parodija par \u0161ais laikos mod\u012bgajiem krionistikas pas\u0101kumiem?\u00a0 \u2013 j\u0101, dro\u0161i vien!).<\/p>\n\n\n\n<p>Ierodas pirmais klients. Kas apsola ierasties\natk\u0101rtoti \u201ep\u0113c m\u0113ne\u0161a\u201d<\/p>\n\n\n\n<p>Tiek organiz\u0113ta pretdarb\u012bba kapu \u201eapg\u0101n\u012b\u0161anai\u201d.\nPar\u0101d\u0101s anatagonists Frankovicam, sv\u0113tais t\u0113vs Baltaisrutks ar savu programmu.\nVi\u0146\u0161 sav\u0101 skat\u012bjum\u0101 noliedz visu lug\u0101 iepriek\u0161 apstiprin\u0101to \u2013 proti \u2013absurda pasauli, kura\nt\u0101d\u0101 gad\u012bjum\u0101 k\u013c\u016bst viss, un \u201eR\u012bga k\u0101 kaps\u0113ta\u201d t\u0101d\u0101 gad\u012bjum\u0101 izple\u0161as pa visu\neksistences lauku, kur vien cilv\u0113ks neatrastos: uz Zemes vai kosmiskaj\u0101 apar\u0101t\u0101\nri\u0146\u0137ojot ap zemeslodi, vai pazem\u0113 vai krematorijas kr\u0101sn\u012b galu gal\u0101.<\/p>\n\n\n\n<p>Tom\u0113r turpin\u0101sim\nsekot si\u017eetiskajai att\u012bst\u012bbai:<\/p>\n\n\n\n<p>Cietumnieku 9. skats 1.ain\u0101. Tikum\u012bbas policists apgalvo: \u201eNeizmantojiet prostit\u016btu pakalpojumus, jo vi\u0146as ir nelaim\u012bgas rota\u013clietas, kas ar\u012b j\u016bs novilks lej\u0101 pie zemes!\u201d<\/p>\n\n\n\n<p>Respekt\u012bvi sekss ar savu konkr\u0113t\u012bbu saj\u016bt\u0101s dar\u012bs re\u0101lus,\nnoziedz\u012bg\u0101 pragmatisko v\u0113rt\u012bbu \u201efeti\u0161isma\u201d centienus p\u0101r\u0146emt visu gar\u012bgo telpu\n(jo sievie\u0161u t\u0113li vairum\u0101 gad\u012bjumu b\u016btu trakt\u0113jami, k\u0101 erotisku fant\u0101ziju\nobjekti, un \u0161aj\u0101 lug\u0101 par\u0101d\u0101s bez savas cilv\u0113ka psiholo\u0123ijas). T\u0101ds k\u0101\ndzel\u017eains antifeminisms\u2026 Radik\u0101ls apgalvojums, bet tas sav\u0101 zi\u0146\u0101 iederas \u201emeln\u0101\nhumora\u201d superparadoksu strat\u0113\u0123ij\u0101s.<\/p>\n\n\n\n<p>Nelaime t\u0101, ka l\u012bdz ar \u0161iem uzst\u0101d\u012bjumiem, si\u017eets\nsadal\u0101s divos un vair\u0101k\u0101s paral\u0113laj\u0101s l\u012bnij\u0101s \u2013 viena turpin\u0101s pa \u201enoziedz\u012bg\u0101\nkapu biznesa\u201d l\u012bniju, otra pa prostit\u016btu, k\u0101 sirre\u0101l\u0101s \u201erealit\u0101tes\u201d\napliecin\u0101t\u0101ju un pat iedibin\u0101t\u0101ju l\u012bniju. Tad v\u0113l iestiepjas veco \u201e\u010dekistu\u201d\nl\u012bnija\u2026 Un beig\u0101s visas \u0161\u012bs l\u012bnijas ne visai veiksm\u012bgi sastopas fin\u0101la ain\u0101s. <\/p>\n\n\n\n<p>Nav \u012bstena kulmin\u0101cijas vi\u013c\u0146a, nav svar\u012bga elementa\ndramatur\u0123iska darba uzb\u016bv\u0113 \u2013 augst\u0101k\u0101 uzbangojuma, kur\u0101 sastopas visas\nj\u0113dzienisko darb\u012bbu un si\u017eetisk\u0101s l\u012bnijas, visi ritmi sakr\u012bt vienot\u0101 amplit\u016bd\u0101,\nkas ar savu ener\u0123iju, k\u0101 saka \u201egrauj tiltus\u201d (Aristotelis teiktu izraisa <em>katarsi<\/em>) un modernaj\u0101 dramatur\u0123isk\u0101\nmateri\u0101la konstrukcijas noz\u012bm\u0113 vienlaikus m\u0113dz kalpot ar\u012b par atrisin\u0101jumu.<\/p>\n\n\n\n<p>Faktiski luga neatrisin\u0101s nek\u0101di, j\u0113dzieniskie vektori\naiziet katrs pa sevi, visos virzienos, te par\u0101d\u0101s indie\u0161u studenta\napprec\u0113\u0161an\u0101s: vai t\u0101 tie\u0161\u0101m b\u016btu izeja p\u0113c tik jaud\u012bga sirre\u0101lo t\u0113lojumu\nvi\u013c\u0146iem \u2013 \u0161aubos, p\u0101r\u0101k jau nu didaktiski? Vai ar\u012b KNAB iera\u0161an\u0101s un darbo\u0146a\narests \u2013 tie\u0161\u0101m risin\u0101jums? Ar\u012b \u0161aubos, vai pietiekams\u2026 Vai ideja \u2013 viss paliek\npa vecam, kad person\u0101\u017ei dodas uz banketu, nosp\u013caujoties uz visu iepriek\u0161\u0113jo\nnotikumu gaitu \u2013 t\u0101 b\u016btu \u201eautora pado\u0161an\u0101s\u201d materi\u0101la \u201esmagumam\u201d, ko vi\u0146\u0161\nuz\u0146\u0113mies nest, un bija dar\u012bjis to gana iespaid\u012bgi l\u012bdz pat fin\u0101lam? Ja tas b\u016btu\nkopsavilkums p\u0113c tik intens\u012bva sabiedrisk\u0101s vides p\u0113t\u012bjuma, tad san\u0101ktu:\n\u201enek\u0101du rekomend\u0101ciju, neko dar\u012bt nevar, dz\u012bvojam t\u0101l\u0101k un aizmirstam kre\u0146\u0137us\u2026\u201d\n<\/p>\n\n\n\n<p>Ja t\u0101 b\u016btu paties\u0101 v\u0113rt\u012bba, kas intensific\u0113jama no \u0161\u012b\ndarba, izklaus\u012btos taisni vai sak\u0101vnieciski\u2026<\/p>\n\n\n\n<p>N\u0113, es tom\u0113r nedom\u0101ju, ka lugas fin\u0101ls ir pado\u0161an\u0101s,\nvienk\u0101r\u0161i vajadz\u0113tu v\u0113l p\u0101rdom\u0101t materi\u0101lu no kopsavilkuma viedok\u013ca. <\/p>\n\n\n\n<p>T\u0101 vai cit\u0101di labs sirre\u0101listiska darba uzst\u0101d\u012bjums \u2013 tikai nav j\u0113dz\u012bgu beigu, kas parasti ir simbolisk\u0101 visp\u0101rin\u0101juma t\u0101ds k\u0101 iecentr\u0113jums \u201esupert\u0113l\u0101\u201d. Nu, kaut vai \u0146emsim uzskat\u0101mu piem\u0113ru no m\u0101kslas: k\u0101 Dal\u012b \u201em\u012bkstajos pulkste\u0146os\u201d vai dego\u0161aj\u0101s \u017eiraf\u0113s (iev\u0113rojiet, k\u0101 \u0161is j\u0113gas apvienojo\u0161ais supert\u0113ls novietots Dal\u012b glezn\u0101 \u2013 pa\u0161\u0101 fon\u0101, k\u0101 kaisl\u012bba zem ikdienas mostroz\u0101s fig\u016bras priek\u0161pl\u0101n\u0101).<\/p>\n\n\n\n<p>Dom\u0101ju, ka ar\u012b \u0161ai lugai b\u016btu iesp\u0113jams t\u0101ds \u201esirre\u0101ls supert\u0113ls\u201d, piem\u0113ram: kas san\u0101ktu apvienojot nosaukum\u0101 min\u0113tos \u201ekodienu un sk\u016bpstu\u201d \u2013 atkal tikai \u0101tra iedoma: asi\u0146ojo\u0161as l\u016bpas krematorij\u0101 ieb\u016bv\u0113t\u0101 parlamenta s\u0113\u017eu z\u0101l\u0113 apsprie\u017eot likumu par miro\u0146a ties\u012bb\u0101m uz spoka veidolu bez ierobe\u017eojumiem, kur valdo\u0161\u0101s prostit\u016btu partijas frakcijas Vad\u012bt\u0101ja uzst\u0101j\u0101s ar runu k\u0101 pastardienas pasludin\u0101\u0161anas monologu, kam iebilst opoz\u012bcij\u0101 eso\u0161\u0101s zombiju partijas p\u0101rst\u0101vji, kas pied\u0101v\u0101 citu regul\u0113jumu puvu\u0161as miro\u0146a ga\u013cas legaliz\u0113\u0161anas sakar\u0101, vai kaut k\u0101 taml\u012bdz\u012bgi\u2026<\/p>\n\n\n\n<p>Jo fin\u0101l\u0101 l\u012bdz ar to san\u0101k, ka ar\u012b si\u017eeta l\u012bnijas\nnetiek nobeigtas un redzams t\u0101p\u0113c j\u0113gu proces\u0113jumam nav risin\u0101juma \u2013 ne\npietiekami pozit\u012bva, ne ar\u012b negat\u012bva \u2013 tas ir: k\u0101 apliecin\u0101juma, ka risin\u0101juma\nnav nemaz un tas pat nav iesp\u0113jams \u2013 t\u0101tad <strong><em>princip\u0101<\/em><\/strong> nav nobeiguma (t\u0101da iesp\u0113ja\nar\u012b past\u0101v, daudzi, pie\u013cauju, esam las\u012bju\u0161i vai redz\u0113ju\u0161i te\u0101tri, vai film\u0101s\natsevi\u0161\u0137us darbus ar negat\u012bvo kopsl\u0113gumu)\u2026 <\/p>\n\n\n\n<p>Tom\u0113r tam j\u0101b\u016bt \u013coti p\u0101rliecino\u0161am, nevis j\u0101izpl\u0113n\nnekurien\u0113\u2026<\/p>\n\n\n\n<p>Tas gan ir \u017e\u0113l, jo ievads sol\u012bja krietni vair\u0101k.<\/p>\n\n\n\n<p>K\u0101p\u0113c t\u0101 ir san\u0101cis?<\/p>\n\n\n\n<p><strong>4.<\/strong><\/p>\n\n\n\n<p>Dom\u0101jams, ka vaina ir koncentr\u0101cijas zaud\u0113\u0161anas d\u0113\u013c, kuru \u0161\u0101dos iracion\u0101los si\u017eetos sevi\u0161\u0137i svar\u012bgi notur\u0113t, jo galven\u0101 j\u0113gas l\u012bnija nedr\u012bkst pagurt, tai j\u0101turpin\u0101s un pat j\u0101pieaug ener\u0123\u0113tisk\u0101 dinamik\u0101, turkl\u0101t aiz priek\u0161pl\u0101na t\u0113lojuma apsl\u0113ptai. \u0100r\u0113ji  vadu sl\u0113gums ir tikai parasts daudzkr\u0101sainu vadu mud\u017eeklis, bet t\u0101 iek\u0161ien\u0113 augstsprieguma elektrisk\u0101 str\u0101va vai spridzek\u013ca eksploz\u012bva l\u0101di\u0146a potences.<\/p>\n\n\n\n<p>No otr\u0101 c\u0113liena\nsi\u017eetisk\u0101 l\u012bnija s\u0101k mezgloties un k\u013c\u016bst gandr\u012bz neizsekojama. Faktiski, taj\u0101\nbr\u012bd\u012b, kad iracion\u0101lais m\u0101c\u012bt\u0101js Baltaisrutks veic savus eksorcista pien\u0101kumus\nun izdzen T\u0113va r\u0113gu, lai tas vairs neatgrieztos, \u0161\u012b intriga t\u0101d\u0101 veid\u0101\natrisin\u0101ta beidzas&#8230; <\/p>\n\n\n\n<p>Ja otrais c\u0113liens v\u0113l tikai nes\u0101ktos, var\u0113tu veikt iepriek\u0161 piedz\u012bvot\u0101s darb\u012bbas anal\u012bzi. Un tad var\u0113tu ieraudz\u012bt diezgan sav\u0101du v\u0113lmes objektu \u2013 nesavienojamu par\u0101d\u012bbu savieno\u0161anos krematorij\u0101. Respekt\u012bvi \u2013 to var\u0113tu tulkot ar\u012b t\u0101 \u2013 v\u0113lme aicina visu Metat\u0113la Autora iepriek\u0161 gar\u012bgaj\u0101 praks\u0113 ieg\u016bto pasludin\u0101t par miru\u0161u, sadedzin\u0101t (piem\u0113ram, iepriek\u0161\u0113jos manuskriptus, kas ar\u012b var sapn\u012b par\u0101d\u012bties, k\u0101 \u201edz\u012bves b\u016btnes\u201d \u2013 k\u0101 meiten\u012bte Spoks, piem\u0113ram) un turpin\u0101ties kaut k\u0101d\u0101 v\u0113l nezin\u0101m\u0101 rado\u0161\u0101 viln\u012b\u2026<\/p>\n\n\n\n<p>Tas b\u016btu interesanti,\nja \u0161\u012b dramatur\u0123isk\u0101 darba att\u012bst\u012bbas l\u012bnija turpin\u0101tos. Ta\u010du mana\ninterpret\u0101cija, r\u0101d\u0101s tom\u0113r nav glu\u017ei atbilst\u012bga realit\u0101t\u0113m, jo \u201esapnis\nturpin\u0101s\u201d visur un vis\u0101 \u0161\u012b darba simboliski sabiedriskaj\u0101 telp\u0101, tiesa gan\ndiezgan haotiski, vismaz sal\u012bdzinot ar pirmo c\u0113lienu.<\/p>\n\n\n\n<p>(Nez\u016bd v\u0113l nupat\napstr\u012bd\u0113tais iespaids, ka \u201eiepriek\u0161\u0113j\u0101 dz\u012bve sadedzin\u0101ta\u201d, bet jaun\u0101 \u201ev\u0113l nav\napg\u016bta\u201d \u2013 t\u0101s apveidos autors v\u0113l tikai taust\u0101s\u2026)<\/p>\n\n\n\n<p>S\u0101k\u0101s seksu\u0101l\u0101s\nainas, Tikum\u012bbas policijas a\u0123enti dara savu darbu, bet gandr\u012bz pavisam paz\u016bd\nFrankovica l\u012bnija, kas k\u013c\u016bst epizodiska, nenoteikta un ieau\u017eas tikai caur\nparal\u0113laj\u0101m l\u012bnij\u0101m atkal atjaunota, k\u0101 tik tie\u0161\u0101m \u201ereanim\u0113ta\u201d vien fin\u0101l\u0101, kur\n\u0161is t\u0113ls izr\u0101d\u0101s dro\u0161\u012bbas dienestu objekts un tiek intens\u012bvi pratin\u0101ts\u2026 <\/p>\n\n\n\n<p>Ja no j\u0113gas l\u012bnijas \u0161\u0101ds pagrieziens b\u016btu pat interesants, tad tikai k\u0101 \u201epagrieziens\u201d, k\u0101 ce\u013cu l\u012bkum\u0101 neparasta virziena pl\u0101ksn\u012bte, kas uzzib, iepriecina un atkal nogrimst\u2026 <\/p>\n\n\n\n<p>Summ\u0101 jau veidojas t\u0101ds k\u0101 apzi\u0146as daudzpl\u0101k\u0161\u0146u un daudzl\u012bme\u0146u t\u0113lojums, ar vis\u0101m \u010detr\u0101m psihes sp\u0113j\u0101m \u2013 intu\u012bciju, j\u016bt\u0101m, izt\u0113li un pr\u0101tu, kas re\u0101li darbojas haotiski un nevad\u0101mi, ja k\u0101da no min\u0113taj\u0101m \u010detr\u0101m psihes sp\u0113j\u0101m \u201eneuzmetas par diktatoru\u201d t\u0101d\u0113j\u0101di ierobe\u017eojot sirre\u0101l\u0101 darba haotisk\u0101 (t\u0101tad dabisk\u0101) proces\u0113juma stihiskos uzbangojumus\u2026 Tas b\u016btu t\u0101: ja j\u016btas kontrol\u0113 situ\u0101ciju, ieg\u016bstam \u201eziepenes\u201d tipa ierobe\u017eojumus, ja intu\u012bcija \u2013 modernisma nosac\u012bjumus un kontroli, ja izt\u0113le diktatoriski p\u0101rvalda m\u0101kslas darba teritoriju \u2013 kaut ko romantisku, varb\u016bt natur\u0101listisko (t\u0101 saucamo: re\u0101listisko) ar\u012b, vai ar\u012b \u2013 l\u012bdz ar pr\u0101ta kontroli \u2013 ja m\u0101kslas darbs tiek proces\u0113ts, k\u0101 zin\u0101ms p\u0113t\u012bjums, k\u0101 atbil\u017eu mekl\u0113\u0161ana uz autora uzst\u0101d\u012btajiem jaut\u0101jumiem&#8230;<\/p>\n\n\n\n<p>Tom\u0113r no pieredzes varu iemin\u0113ties, ka \u0161\u0101ds daudzl\u012bme\u0146u, daudzpl\u0101k\u0161\u0146u risin\u0101jums lug\u0101 diez ko labi nedarbojas (tad nevar izsekot skatuves darb\u012bbai l\u012bdzi), tas sav\u0101 stihiskum\u0101 vair\u0101k var\u0113tu b\u016bt prozas vai dzejas darba \u201edv\u0113selisk\u0101s ma\u0161in\u0113rijas\u201d produkts\u2026 Jo lasot gr\u0101matu, var apst\u0101ties, p\u0101rdom\u0101t \u2013 saprast un doties t\u0101l\u0101k. Izr\u0101des laik\u0101 apst\u0101ties neb\u016bs lemts, tur visu nosaka darb\u012bba un t\u0101s ritmi\u2026<\/p>\n\n\n\n<p>Ko ies\u0101kt?<\/p>\n\n\n\n<p>Atspersimies no idejas: ka viss, kas ir dom\u0101jams, viss, kas ir apzi\u0146\u0101 kaut vai tikai iesp\u0113jams, t\u0101tad imanences kop\u0113j\u0101 pl\u0101na arhetipiskais \u201eoke\u0101nisk\u0101 es t\u0113ls\u201d ar\u012b \u2013 t\u0101s ir sirre\u0101las par\u0101d\u012bbas katra konkr\u0113ta t\u0113la (person\u0101\u017ea, lietas, notikuma utt.) papla\u0161in\u0101jum\u0101, m\u016bsu pieredzes apjomos.<\/p>\n\n\n\n<p>Tas b\u016btu gan risin\u0101jums, bet\u2026 Skat\u0101mies konkr\u0113t\u0101 gad\u012bjum\u0101\u2026<\/p>\n\n\n\n<p>P\u0101rraut\u0101 Frankovica\nl\u012bnija it k\u0101 atjaunojas izmekl\u0113t\u0101ja kabinet\u0101, tom\u0113r tai nav \u012bstas saites ar\nproces\u0113jumu kopsumm\u0101, vai ar\u012b t\u0101 ir nozaud\u0113ta daudzaj\u0101s paral\u0113laj\u0101s l\u012bnij\u0101s,\nvismaz es vairs pat tekst\u0101 nesaskatu konsekvences ne lo\u0123iskas, ne paradoks\u0101las,\nt\u0101tad izr\u0101d\u0113 v\u0113l maz\u0101k cer\u012bbu, b\u016btu, k\u0101 saka: \u201esasiet galus kop\u0101\u201d\u2026<\/p>\n\n\n\n<p>Ja ir \u0161\u0101ds\nuzst\u0101d\u012bjums, tad fin\u0101ls ar b\u0113ru ainu taj\u0101, p\u0113c kuras visiem viss vienalga, ka\ntik bankets, izskan jau nu gal\u0113ji pesimistiski.<\/p>\n\n\n\n<p>T\u0101d\u0101 gad\u012bjum\u0101 mana\nnosac\u012bti relat\u012bvistisk\u0101s tic\u012bbas g\u0113nu programma tam nepiekr\u012bt, k\u0101 tam vai citam\nabsol\u016bta sludin\u0101jumam: nepier\u0101d\u012btais k\u0101 absol\u016bts \u0161\u0101d\u0101 uzskatu pl\u0101n\u0101 nav\npie\u0146emams. Turkl\u0101t man var\u0113tu b\u016bt pamatotas aizdomas, ka tik pesimistisku\nv\u0113rt\u0113jumu pier\u0101d\u012bt b\u016btu visai gr\u016bti, lai neteiktu neiesp\u0113jami.<\/p>\n\n\n\n<p>T\u0101p\u0113c \u0161eit trakt\u0113juma autoram-re\u017eisoram vajadz\u0113tu ielikt komatu un atteikties no tik pla\u0161a visp\u0101rin\u0101juma, un nevis t\u0101p\u0113c, ka teksta autors nesp\u0113tu \u0161\u0101du dom\u0101jumu proces\u0113ts sev\u012b, bet vienk\u0101r\u0161i t\u0101p\u0113c, ka tas \u0161\u0137iet nemaz nav bijis vi\u0146a m\u0113r\u0137is. <\/p>\n\n\n\n<p>\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013\u2013-&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p>\u0160\u0101 vai t\u0101, autors var\u0113tu padom\u0101t, ka, att\u012bstot \u0161o tekstu k\u0101dreiz n\u0101kotn\u0113, t\u0101da papla\u0161in\u0101juma iesp\u0113ja past\u0101v ar\u012b konkr\u0113t\u0101 materi\u0101la ietvaros.<\/p>\n\n\n\n<p>Un maz\u0101k p\u0101rskat\u0101m\u0101s si\u017eeta att\u012bst\u012bbas l\u012bnijas var\u0113tu izcelt, l\u012bdz ar maz\u0101k svar\u012bgu blakus l\u012bniju \u012bsin\u0101jumiem.<\/p>\n\n\n\n<p>Andris Zeibots, 2019.gada septembr\u012b<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Apskats Arv\u012bda De\u0123a darbam \u201eKODIENI UN SK\u016aPSTI\u201d (meln\u0101 humora detekt\u012bvkom\u0113dija) Uzreiz j\u0101atz\u012bstas, ka mans p\u0113t\u012bjums \u0161\u012b darba ietvaros neb\u016bs piln\u012bgs, tas aptvers tikai galven\u0101s idejas un t\u0113lu saturus, bet ne tuvu ne visus, teik\u0161u, k\u0101 ir: ja grib\u0113tu veikt ko t\u0101du, k\u0101 l\u012bdz deta\u013c\u0101m prec\u012bzu anal\u012bzi, b\u016btu j\u0101izple\u0161as v\u0113l vismaz se\u0161as reizes apjom\u012bg\u0101ka apskata m\u0113rogos. &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/lugas.lv\/?p=2676\" class=\"more-link\">Turpin\u0101t las\u012bt<span class=\"screen-reader-text\"> &#8220;\u201eKODIENI UN SK\u016aPSTI\u201d&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1013,584],"zanrs":[],"apjoms":[],"auditorija":[],"laiks":[],"lomas":[],"autori":[],"ipasas":[],"_links":{"self":[{"href":"https:\/\/lugas.lv\/index.php?rest_route=\/wp\/v2\/posts\/2676"}],"collection":[{"href":"https:\/\/lugas.lv\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lugas.lv\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lugas.lv\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lugas.lv\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2676"}],"version-history":[{"count":2,"href":"https:\/\/lugas.lv\/index.php?rest_route=\/wp\/v2\/posts\/2676\/revisions"}],"predecessor-version":[{"id":2679,"href":"https:\/\/lugas.lv\/index.php?rest_route=\/wp\/v2\/posts\/2676\/revisions\/2679"}],"wp:attachment":[{"href":"https:\/\/lugas.lv\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lugas.lv\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lugas.lv\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2676"},{"taxonomy":"zanrs","embeddable":true,"href":"https:\/\/lugas.lv\/index.php?rest_route=%2Fwp%2Fv2%2Fzanrs&post=2676"},{"taxonomy":"apjoms","embeddable":true,"href":"https:\/\/lugas.lv\/index.php?rest_route=%2Fwp%2Fv2%2Fapjoms&post=2676"},{"taxonomy":"auditorija","embeddable":true,"href":"https:\/\/lugas.lv\/index.php?rest_route=%2Fwp%2Fv2%2Fauditorija&post=2676"},{"taxonomy":"laiks","embeddable":true,"href":"https:\/\/lugas.lv\/index.php?rest_route=%2Fwp%2Fv2%2Flaiks&post=2676"},{"taxonomy":"lomas","embeddable":true,"href":"https:\/\/lugas.lv\/index.php?rest_route=%2Fwp%2Fv2%2Flomas&post=2676"},{"taxonomy":"autori","embeddable":true,"href":"https:\/\/lugas.lv\/index.php?rest_route=%2Fwp%2Fv2%2Fautori&post=2676"},{"taxonomy":"ipasas","embeddable":true,"href":"https:\/\/lugas.lv\/index.php?rest_route=%2Fwp%2Fv2%2Fipasas&post=2676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}